This new version of LE GRANIER was made by assembling out-takes from the first version (LE GRANIER, PAYSAGE ETUDE N°1). Certain sequences of both versions were scratched and tinted (ie: the emulsion of the film was scratched and tinted); other sequences were hand processed and developed using a paintbrush under a darkroom red light. Finally, the hand-tinted negative was converted to positive using the Jaffeux technique.